The 2018 iteration of Composing Disability, subtitled Crip Politics and the Crisis of Culture, was held in March of 2018. Motivated by the surgining tides of Trumpism in the United States and regressive nativism throughout Europe, Crip Politics asked:
What might disability politics, disability arts, and disability studies look like in the “post-truth” era?
How have disabled bodies, minds, and behaviors been caught up cultural crises across time or space?
Most pointedly, in what ways does the new authoritarianism present decidedly new challenges for crip politics and theory?